art + justice is a platform for adults to explore the intersection of tactile art-making, thoughtful reflection, and personal enrichment. Through artist-led guided projects audiences unlock their creative potential within themselves, while also enjoying the opportunity to exchange ideas with community towards social justice. art + justice is a hands-on maker space that stimulates creative agency, while providing the mental and emotional space to work through complicated issues around race, gender, identity, and social cohesion.
At the Altar: Fruit of My Love and Labor, represents the process of bringing forth the efforts of my daily thoughts, intentions and actions as best as I can. Then I lay them down at my altar, for myself, for my loved ones, my ancestors and for Spirit. This exhibition is specifically centered on the intersections of creating and using installation art as a form of altar. A personal altar is a dedicated space, designed and erected to celebrate or commemorate something important; an idea, a person, goal or a life intention. These installations are instruments that speak to my personal exploration of loving Spirit, loving myself, my family and specifically my son.
This week’s Art Watch is all about an important center for the arts that most of you have never been to. The Delaware Contemporary, or DCCA, is a fascinating art center with ever-changing art installations that is located just 24 minutes from Longwood Gardens, and is free to the public and open every day except Monday.
DCCA has a large parking lot, is easy to get to from I-95 or down Route 52, and offers a safe, light-filled, airy space full of new art to nudge the senses. Such a cool place, and most of us have never been there! Artists often sigh that there are not enough places that show contemporary art (that is, art that shows a new take on what’s going on in the world around us), but sigh no more because we have DCCA.
On this episode of Contemporary Black Canvas, we had the pleasure of interviewing the mixed media visual artist, Amber Robles-Gordon. She primarily works and is known for her use of found objects and textile to create assemblages, large-scale sculptures and installations. Her work is representational of her experiences and the paradoxes within the female experience.
This exhibition, curated by Kayleigh Bryant-Greenwell, engages with a legacy of black art spanning over 50 years through nine exciting contemporary visionaries. This collective body of work reflects on the black experience as artists and as Americans. Artists Holly Bass, Allana Clarke, Wesley Clark, Billy Colbert, Larry Cook, Jamea Richmond Edwards, Amber Robles-Gordon, Stanley Squirewell and Stephanie Williams create their work using a variety of media, style and technique.
In many cultures, the talking stick is a symbol of democracy, a sacred object that ensures all voices will be heard. Join artist and Anacostia resident Amber Robles-Gordon in a hands-on creative workshop. Using Robles-Gordon's signature multi-colored textile strips, participants will fashion unique talking sticks that represent a personal memory or pressing issue on the theme of “home.” A guided conversation will provide participants an opportunity to put their talking sticks to use, sharing inspirations and reflections on what it means to call DC home in this particular moment, and the transformative act of art making. Appropriate for ages 12 and up. Refreshments will be provided
If YOU Lived Here seeks to commemorate the founding of this community, and also to reflect on how we live today. Visitors will draw parallels between the past and the present through a series of interactive, tactile, and creative activities.
The Mosaic Project: The significance of art in the lives of our youth cannot be underestimated. Yet, just when research is finally emerging that supports this, budget cuts and curricular demands are threatening the foundation of creativity in our public schools. In order to fill that gap as well as enrich the community, Pennsylvania College of Art & Design developed The Mosaic Project, a multicultural exhibition and education program for students and families in Lancaster County.
Exhibition: June 16 – August 5, 2017 Opening Reception: June 17, 2 – 5 pm Panel Discussion: July 13, 6 – 9 pm
The East of the River Exhibition returns to the Honfleur Gallery for the 11th year! This annual show continues to provide a platform for visual artist emerging from Wards 7 and 8. This year Asha Elana Casey, Sheila Crider and Amber Robles-Gordon will present their all new mixed-media works that explore spirituality, identity, and repetition.
McDaniel hosts a visiting artist lecture by mixed-media artist Amber Robles-Gordon. Known for her use of found objects and textile to create assemblages, large-scale sculptures and installations, her work is representational of her experiences and the paradoxes within the female experience.
Morton Fine Art is thrilled to introduce artist AMBER ROBLES GORDON to our roster.
"My artwork is a visual representation of my hybridism: a fusion of my gender, ethnicity, cultural, and social experiences. I impose colors, imagery, and materials that evoke femininity and tranquility with the intent of transcending or balancing a specific form. I associate working with light, color, and energy as a positive means to focus on the healing power found in the creative process and within us all. It is my belief that colors have both feminine and masculine energies and each color represents a specific aspect of nature."
St. Joseph's Council for the Arts presents LESSONS LEARNED
a group exhibition curated by Che Baraka featuring the works of Jennifer Crute, David Redmoon Darkeem, Amber Robles-Gordon, Linda Hiwot, Musa Hixson, YK Hong, Karl McIntosh, Charlotte Mouquin, Vivian Ara Ruequeros, Emmett Wigglesworth
Contemporary Black Artist Movements: Artists Jamea Richmond-Edwards and Amber Robles-Gordon, Co-Founders of Delusions of Grandeur artist collective will speak of the relevancy, evolution and power of artist collectives and artistic movements. Richmond-Edwards and Robles-Gordon, parlayed a series of conversations about personal experiences in the art world, the cultural influence and legacy of Howard University, and the examination of artist group and movements such as Spiral, Black Artists of DC, Africobfra and the Black Arts Movement to build a contemporary art cannon.
The exhibition presented at Galerie Myrtis, Lest We Forget examines pivotal moments and figures in US history, as well as the everyday occurrences and unknown individuals that have impacted, to various degrees, the African American experience here, and by extension, throughout the world.
Featured Artists Larry Cook, Wesley Clark, Shaunte Gates, Delita Martin, Jamea Richmond-Edwards, Amber Robles-Gordon and Stan Squirewell
We’re interested in elevating our conversations about art. We feel that group studios and areas of artist density provide fertile ground for interaction, conversation, growth and development. While this is an important part of our daily interaction as artists, we also feel that Curators, Critics, Gallarists, Collectors, Art Writers, and other Arts Professionals bring an amazing amount of insight for an Artist. With the our first two sessions of The Critique having received a great amount of interest and positive feedback, we’re going to keep it up!
Join us for the opening of AAMP's latest special exhibition i found god in myself: the 40th anniversary of Ntozake Shange’s for colored girls. This two-gallery art exhibit celebrates the 40th anniversary of the choreopoem, for colored girls who have considered suicide/when the rainbow is enuf, and is curated by Souleo.
Through 20 commissioned artworks by artists including Renee Cox (in collaboration with Rafia Santana), Kimberly Mayhorn, Dianne Smith, Margaret Rose Vendryes and Danny Simmons the exhibition is a tribute to the Broadway play. Each work honors the individual poems and underscores their enduring significance in highlighting issues impacting the lives of women of color.