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    • Casting and Protection Work / Series / 2025
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    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
  • Menu

Amber Robles-Gordon

Artist/Advocate/Curator/Lecturer
  • Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Mixed Media
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s)
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
Image by Peter Krsko

Image by Peter Krsko

If You Lived Here.

June 17, 2017 in exhibit

“Home is not just a structure. Home is family, community, stories, food, and culture. If YOU Lived Here is a hands-on public art installation that encourages us to reflect on how we live − in the house, the home, and the broader community across 150 years of shared history.”

 

Shedding light on history

On June 27, 1867, Reverend Richard Hall, pastor of Union Bethel Church (known today as Metropolitan A.M.E.), purchased lot number 5, Section 2 on Stanton Road, SE, the first one-acre lot sold in the new community first called Barry's Farm, but later renamed Hillsdale. For a down payment of $15.00 a purchaser was provided a wagon-load of lumber and instructions for building a “simple but good quality house.” Reverend Hall was a pioneer −  the 375-acre neighborhood, deeded to the Freedmen’s Bureau, gave newly freed African Americans the opportunity to own land and build their own homes. This self-sufficient community grew and thrived, eventually having its own school, recreation areas, post office, churches, cemeteries, and markets. 

Archaeological investigations conducted over the past forty years in Southeast Washington, D.C., gives us a glimpse into the everyday lives of the first settlers and their descendants. The tangible, material evidence that have been unearthed shows how the residents lived, worshipped, built homes, and maintained their community. One trove of artifacts found in a house attic prior to demolition includes fragile historic objects that provide insight into the day-to-day life of the community that would normally be lost to both history and archaeology. For example, medical supplies, a repaired shoe, a summer hat, and a sled help us understand seasonal and mundane aspects of life in this historic community.  

An homage to a house

If YOU Lived Here seeks to commemorate the founding of this community, and also to reflect on how we live today. Visitors will draw parallels between the past and the present through a series of interactive, tactile, and creative activities. 

As we recognize the anniversary of the first one-acre lot sold in the new community, Washingtonians and residents will be able to relive history through an immersive, hands on experience that will connect them with their past and present. From June 16th through June 30th, 2017, an artistic representation of a full-scale replica of one of the 1867 houses will be constructed adjacent to the Smithsonian Anacostia Community Museum. This unique setting will provide the backdrop for a series of activities including community gatherings, historical presentations, and dialogues. The project will provide an opportunity for individuals to reflect on their own basic needs now, and compare them with the past. 

Community members will work with acclaimed artist and Anacostia resident Amber Robles-Gordon to complete the house with a series of art fabrications. Historic and contemporary objects and artwork will be located in, on, and around the dwelling, stirring residents to reflect on the intersection of history, community, and identity, to amplify the power of collective memory. Replicas of archaeological artifacts and attic objects can be touched and moved. Visitors will use the provided objects and be invited to bring copies of their own photos, family heirlooms, and other items of interest, to tell their own stories about house and home. 

Visitors will interact with members of the DC Historic Preservation Office and the Smithsonian Anacostia Community Museum to learn about the history and archaeological findings of the families who built and lived in these houses and called this strong and vibrant community “home.”   

 

 

Tags: DC Historic Preservation Office, Smithsonian Anacostia Community Museum, Barry Farm, Philippa Hughes, Holly Bass, Amber Robles-Gordon, Peter Krsko, The Pinkline Project, We Are Washington DC, District of Columbia Office of Planning, The Kresge Foundation, Smithsonian Anacosita Community Museum
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