exhibit
ORIGINAL PHOTO BY AMBER ROBLES-GORDON
Womanhood and femininity finds itself in every corner of life. Church pews, miniature gardens and passed-down accessories— artists Lavett Ballard, Amber Robles-Gordon and Evita Tezeno bring Black womanhood and female friendships to the canvas through their exhibition, “Solace and Sisterhood,” at the University of Maryland’s David C. Driskell Center.
Read MoreSolace and Sisterhood, The Driskell Center’s fall semester exhibit, amplifies the resilience and bond of Black sisterhood through the varying perspectives of three prominent female artists.
The exhibit, which is on view until Dec. 5, aims to encompass a diverse range of relationships between women, from biological relationships to friendships. It showcases the impact sisterhood has on these relationships and examines the solace and understanding Black women in these relationships receive, according to a press release by The Driskell Center.
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Solace and Sisterhood brings together the work of three artists of African descent who are friends and “sisters”: Lavett Ballard, Amber Robles-Gordon, and Evita Tezeno. Through their artwork, viewers are given an intimate look into their experiences and their sisterhood, which has developed over several years. By digging deeply into historical and contemporary perspectives on African American life, exploring traditions in the African diasporic community, or remixing commonly known objects, these artists span media and aesthetics. They tackle topics of self-identity, Black female beauty, and spiritual discovery. They resist single affiliations and simple answers to difficult questions. All the while, they maintain deep bonds that now transcend friendship. They are now sisters.
Read MoreRobles-Gordon is a multidisciplinary Afro-Latina artist based out of Washington, D.C., who was born in Puerto Rico, grew up in Arlington, Virginia, and has family living in the U.S. Virgin Islands, she said. The six double-sided quilts are meant to convey her perspective of these territories while deconstructing how they are affected by foreign and domestic policies and “stimulate further dialogue regarding the long arm of the American political machine.”
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Amber Robles-Gordon’s Successions: Traversing U.S. Colonialism, are a series of abstract textile artworks that interrogate the past and current hegemonic domestic and foreign policies within its federal district of Washington, D.C., and its other five inhabited territories. It is through these works that the viewer is granted a pathway through discursive criticism around issues impacting marginalized communities.
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LEFT: AMBER ROBLES-GORDON. RIGHT: DETAIL OF MONTGOMERY BRAWL. PHOTO CREDIT: AMBER ROBLES-GORDON AND JARRETT HENDRIX.
Who is worthy of care? Amber Robles-Gordon’s “Surely, she (he/we) is a little animal?” critically examines power, control, and societal implications. The show aims to visually demonstrate how unchecked control can lead to the mistreatment of both animals and children, emphasizing that these issues are universally connected and perpetuate a cycle of violence and abuse. The body of work, six mixed-media collages on wooden panels, also highlights the deep-rooted biases and racism that contribute to the devaluation of lives, particularly those of people of color, on a global scale.
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Surely, she (he/we) is a little animal? is a chronological visual exploration of the cross generational and long term impact of imperialism and colonialism. In each of the six mixed media on wood panel works Robles-Gordon begins with the transatlantic slave trade and leads the viewer on a panoramic sweep contemplating the modern-day systems and infrastructures that continue to uplift colonialism and imperialism.
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Who/what is worthy of care? Who cares for the defenseless? Who/what is defended? Incorporating the transdisciplinary study of human ecology into her practice and scope, Robles-Gordon uses the field as an anchor in her expansive investigations of race, history, the sciences and culture. The resulting new body of work rigorously explores colonialism and imperialism, global anti-blackness, child welfare and animal cruelty. Finding them all connected, just not equally, the exhibition exposes frank contradictions in American perceptions of human life, animal life and minority lives.
Read More20 October 2023 - 30 September 2024
Museo de Arte Contemporáneo / San Juan, Puerto Rico
Luego de cuatro años de ardua labor investigativa, el Museo de Arte Contemporáneo de Puerto Rico presenta su nueva exhibición “Puerto Rico Negrx”, primera muestra institucional en el país que presenta a artistas negrxs en un contexto histórico y un diálogo intergeneracional.
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Al encontrarlos todos conectados, pero no por igual, Amber Robles-Gordon vincula visualmente las historias y desarrollos de los movimientos estadounidenses de protección infantil y bienestar animal con los derechos civiles y las luchas en curso por la libertad.
Read MorePuerto Rico Negrx es la primera exhibición institucional que establece un diálogo intergeneracional y contextualiza históricamente la producción de artistas identificados como negrxs en Puerto Rico y su diáspora, a partir de una selección de obras realizadas desde la década de 1990 hasta la actualidad. La exhibición toma como punto de partida la exhibición Paréntesis: ocho artistas negros contemporáneos y la importancia que ha tenido como proyecto de un grupo que reivindicaba su identidad como puertorriqueñxs negrxs y artistas contemporáneos que rechazaban un vínculo inherente entre la negritud, el folclore y la artesanía.
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BUTTER is made possible each year through the combined efforts of GANGGANG, approximately 50 artists and makers, and about 100 creative entrepreneurs in Indianapolis. (Photo/Solo Mabry)
“We need to go positive towards each other because that’s the only way that we’re going to make real change,” Robles-Gordon said. “We have to deconstruct the lens of white supremacy, the lens of anti-Blackness, and that starts with us looking at each other and treating each other differently.”
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Curated by Wilfredo Valladares
“ Finding Home” art exhibition at Maryland Hall Chaney & Marino Galleries. Featuring Amber Robles -Gordon, Edgard Endress, Jin Lee, Sandra Perez-Ramos, Sunhee Jung, Trisha Kryner
Read MoreFibers of My Soul is an art exhibition that weaves together the diverse cultural experiences and traditions of a group of talented artists. Through a captivating array of mediums, including fiber collage, painted textiles, and hand-dyed abstracts, this exhibition serves as a bridge connecting the artists' narratives to the audience's shared human experiences. Each artist featured in this exhibition brings a unique perspective rooted in their personal journey, cultural heritage, and individual artistic expression.
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Artist/Exhibition Conversation: On Saturday May 20, 2023 at 2:00 pm join us for a conversation between Amber Robles-Gordon, a featured solo artist during the month of May, and George Hemphill, renowned gallerist in Washington DC. Robles-Gordon and Hemphill will be discussing the underpinnings of her current body of artwork, the connective threads to the Washington Color School, and an undiminished love and appreciation of the artwork of Alma Thomas.
This program is organized in conjunction with Robles-Gordon's exhibition Remnants: a visual journey of memory and renewal, which will be on view through Sunday, May 28, 2023. The event is free to the public. Advanced registrations are welcomed.
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Soy Luz, amor, y frecuencia.(I am light, love and frequency), 2023, mixed media, 80 (L) x 60 (H) in
In this series, Robles-Gordon explores the emotional, physical, and psychic processes of loss. This body of work conveys the mental and physical effort it takes to move through loss. The artist works sequentially and within these works, deploying the lenses of abstraction, realism, photography, sacred geometry, symbolism, and installation art to convey a journey of self-awareness and growth. Together, these artworks present a visual telling of love, loss, and healing.
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IA&A at Hillyer presents Pulse 2023, an exhibition that recognizes the role of Hillyer’s Advisory Committee in identifying artists for solo and group exhibitions at Hillyer’s renowned contemporary art space. The exhibition features work by some of Hillyer’s past notable members such as Helen Frederick, Renée Stout, and Tom Wolff, and current members, Joan Belmar, Nikki Brugnoli, Anna U Davis, Elsabe Dixon, Cianne Fragione, Pat Goslee, Laurel Lukaszewski, Cory Oberndorfer, John Paradiso, and Amber Robles-Gordon.
Read MoreIA&A at Hillyer presents Pulse 2023, an exhibition that recognizes the role of Hillyer’s Advisory Committee in identifying artists for solo and group exhibitions at Hillyer’s renowned contemporary art space. The exhibition features work by some of Hillyer’s past notable members such as Helen Frederick, Renée Stout, and Tom Wolff, and current members, Joan Belmar, Nikki Brugnoli, Anna U Davis, Elsabe Dixon, Cianne Fragione, Pat Goslee, Laurel Lukaszewski, Cory Oberndorfer, John Paradiso, and Amber Robles-Gordon.
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Building on two previous bodies of work, both created since the pandemic, With Every Fibre of My Being (2022) by Amber Robles-Gordon presents a visual summary of the ongoing research that the artist has conducted into her identities as an Afro-Latina of Puerto Rican heritage and as a U.S. citizen living in the District of Columbia…Art News, Tafeta Gallery, Untitled Art Fair
Read MoreBY D.A. VARELA
UPDATED NOVEMBER 30, 2022 12:00 AM
Artist Marryam Moma strikes a pose with her art collage at the Art Prizm Fair. D.A. VARELA dvarela@miamiherald.com
Read more at: https://www.miamiherald.com/entertainment/visual-arts/art-basel/article269379152.html#storylink=cpy
Now in its 10th year, Prizm Art Fair on Flagler Street gives artists of African descent the opportunity to showcase their work. “The market doesn’t generally highlight and celebrate enough Black artists,” founder Mikhaile Solomon said. “This is a place where you can come to see all of the best artists who are emanating from Africa and its diaspora.” This year’s theme is “Vernacular À la Mode,” which Solomon deemed a way to honor all people of African descent. “We wanted to celebrate all the ways in which people of African descent exist in various parts of the world,” Solomon said.
Read more at: https://www.miamiherald.com/entertainment/visual-arts/art-basel/article269379152.html#storylink=cpy
Artist Amber Robles-Gordon strikes a pose in front of her artwork entitled ‘At The Altar: Dance of the Serpents’ at the Art Prizm Fair during Art Basel in the Design District neighborhood of Miami, Florida, on Tuesday, November 29, 2022 D.A. Varela dvarela@miamiherald.com
Artist Matthew McCarthy strikes a pose with his installation entitled ‘Serious Tings Ago Happen’ displayed at the Art Prizm Fair. McCarthy created the artwork with collaborator Maxine Walters. D.A. Varela dvarela@miamiherald.com
Read more at: https://www.miamiherald.com/entertainment/visual-arts/art-basel/article269379152.html#storylink=cpy
