• Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Mixed Media
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s)
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
  • Menu

Amber Robles-Gordon

Artist/Advocate/Curator/Lecturer
  • Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Mixed Media
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s)
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast

Driskell Center’s ‘Solace & Sisterhood’ celebrates connection in Black community

December 05, 2025 in review, article

In 1951, doctors took Henrietta Lacks’ cancer cells without her knowledge, which contributed to decades of cancer research and reshaped modern medicine. Seventy-four years later, visual artist Lavett Ballard is reclaiming Lacks’ story.

Her collage, “Invisible Women,” centers on Lacks’ legacy while confronting the ignored contributions of Black women in science and the history of exploitation that silenced them.

Ballard’s work is currently displayed in the David C. Driskell Center as part of the “Solace & Sisterhood” exhibit. The gallery highlights the work of Ballard and two other multimedia artists, Amber Robles-Gordon and Evita Tezeno.

Through their pieces, the artists reflect on shared experiences, understanding and a supportive bond that fosters resilience. They examine a sense of sisterhood within the Black community, which transcends individual stories and shared experiences, creating a space for solace.

Jamiyah Bonds, a sophomore government and politics major, said she always enjoys seeing other people’s world experiences through art.

“This gallery is meant to showcase Black art, so being able to see three Black women come together and show this unique bond that I don’t really see portrayed in a lot of other media and art is really interesting,” Bonds said.

The idea for the gallery came from a conversation on friendship and sisterhood that the three artists had in 2022. This happened to be the first time that Robles-Gordon and Tezeno met. This is “Solace & Sisterhood’s” second showing, with the first being in Arlington, Virginia at the Museum of Contemporary Art in 2024.

Robles-Gordon’s “In tribute to love, nature, and friendship,” which Ballard contributed to, features a quilt surrounded by talking sticks, each holding a unique pattern and texture. Live plants, mirrors, sayings and textiles surround the piece representing the love, nature and power of friendship and family.

“A Vision of Self,” a quilt and collage by artist Robles-Gordon’ and Zoë Charlton, hangs on the back wall of the Driskell Center. The piece shows Robles-Gordon’s in a pose from an Afro-Puerto Rican bomba dance, sharing her heritage through her art. (Talia Macchi/The Diamondback)

“I wanted people to see that energy,” Robles-Gordon said. “I wanted people to see … the imagery of plants, of light and color, and be lifted from that.”

Tezeno’s collage “You Are My Sun, You Are My Moon” asks a powerful question: “How do Black mothers cope with raising their sons in a society that devalues Black men?”

The hand-painted piece depicts a mother cradling her child. The ball in the boy’s hands symbolizes the world before him. It simultaneously reflects the challenges he will face in a world that often marginalizes the Black community, while also showing hope and opportunity. The mother’s expression is a mix of love and concern.

Tezeno’s “You Are My Sun, You Are My Moon” blends bold colors, layered textures and hand-painted papers, with each later carrying its own story. The collage represents a mix of opportunity and the challenges facing the Black community.” (Talia Macchi/The Diamondback)

“A Vision of Self” is a mixed-media work by Robles-Gordon and Zoë Charlton that “explore[s] identity, transformation, and the power of sisterhood.” Robles-Gordon crafted this quilted self-portrait from upcycled and thrifted materials, symbolizing her healing journey from past experiences.

“I wanted to absolutely present a vision of hope, action, activation and celebration,” Robles-Gordon said. “I’m saying to the universe ‘this is the best version of me thus far.’”

Beneath the quilt, plants represent growth and renewal. Robles-Gordon said she turned to cultural study, including looking at the dance of bomba, as part of her healing process, diving into her Afro-Puerto Rican heritage. She explained her quit reflects her “healing forward,” reconnecting with her heritage.

Bonds said she hopes exhibit viewers will learn something new through the exhibit.“Some people just come in here … for five minutes and I see people who spend an hour walking through and really absorbing the messages [the art] is trying to convey,” Bonds said.

https://dbknews.com/2025/12/05/driskell-center-solace-sisterhood-community/

Tags: Amber Robles Gordon, Lavett Ballard, Evita Tezeno, Lauren Davidson, David C. Driskell Center, Zoe Charlton, The Diamondback, Talia Macchi, Museum of Contemporary Art Arlington, Solace and Sisterhood, Henrietta Lacks
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