• Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Mixed Media
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s)
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
  • Menu

Amber Robles-Gordon

Artist/Advocate/Curator/Lecturer
  • Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Mixed Media
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s)
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Sculpture
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Serpentine / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
    • Wired / Series / 2011
    • BV Rainbow / Public Art Installation / 2011
    • Flight of the Chicken Wire / Public Art Installation / 2010
  • Public Art Banner-Murals
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers : Dream, Believe, Create / Public Artwork / 2015
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • With Every Fiber of My Being / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Above All You Must Not Play At God I Installation I 2016
    • At the Altar / Series / 2015
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Sticks Project / Public Art Installation / 2018 *
    • Talking Stick Project: Art and Justice at NMAAHC
    • Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017 *
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast

Beyond the Big Chair New galleries and community spaces pop up east of the river

July 29, 2012 in article

Washington’s newest arts enclave isn’t tucked away in Georgetown, or even on burgeoning H Street. It’s east of the river, in Anacostia. The area — once known as Nacotchtank, after the first Native American settlers of the region — has a long history of creative expression. Go-go music was born here; graffiti by street artists such as BK Adams (the man behind all those I AM ART wheatpasted posters around the city) dot the walls of buildings. But unlike Shaw, with its recently reopened Howard Theatre, or H Street, anchored by the refurbished , Anacostia has lacked the arts infrastructure to draw visitors.

That is changing. In the past five years or so, a handful of small-but-vibrant galleries have sprung up, complemented by a smattering of new public art pieces and festivals celebrating a homegrown arts scene. LUMEN8Anacostia, a wide-ranging fest that ran over three months this spring, brought dozens of artists, performers and temporary arts spaces together and received encouraging media coverage.

“Anacostia is emerging as a cultural hub,” says Josef Palermo, who works with the Pink Line Project, a group that organizes events promoting local arts across D.C. Palermo moved to Anacostia in 2008. “At the time, there were not a lot of restaurants, really no nightlife to speak of,” he recalls. “Now, a revitalization is taking place.”

That energy comes, in part, from a flurry of investment by groups such as the ARCH Development Corporation. The organization, founded in 1991 to help the area’s homeless, has increasingly put resources into local arts to infuse new life into the neighborhood. It sponsors three closely clustered galleries — Honfleur Gallery, Vivid Solutions and Blank Space SE — along with HIVE, a shared workspace for freelancers. “We want to draw on local and international resources,” says Phil Hutinet, chief operating officer of ARCH. “We want to showcase what will really become the future arts district of the city.”

That means highlighting works by artists such as Amber Robles-Gordon, a sculptor and mixed-media artist. Robles-Gordon has lived in Anacostia for 15 years. “For me, there’s an energy that I get from the area,” she says. When she paints on her porch, children scurry up and ask what she’s doing. Every once in awhile, she scours her neighborhood for old fliers and scrap paper, pieces she recycles into her own work.

Not long ago, Robles-Gordon — who’s shown at several international galleries — had to travel to Northwest or even into Maryland to show her work locally and connect with other artists. With galleries such as Honfleur as an anchor, that’s shifting. “Now, more of us know about each other,” she says. “You have a working-class group of people more like a creative class. It’s about us coming together and finding each other.”

Behind the Scenes at the Anacostia Community Museum Though the Anacostia Community Museum is undergoing renovations until July 29, it is still offering public programs — such as a behind-the-scenes tour. Guides will focus on the 45-year-old museum’s evolving role in the community.

Smithsonian Anacostia Community Museum

1901 Fort Place SE;

July 13, 10 a.m.,

free; 202-633-4820

(Anacostia)

Citified: Arts and Creativity East of the Anacostia River The creative history of Anacostia gets spotlighted at this year’s Smithsonian Folklife Festival with a full schedule of events. African dancers and drummers, church choirs, hip-hop artists and go-go bands will perform, and storytellers will tell neighborhood tales. Tattoo artists will demonstrate their craft, as will members of a multigenerational quilting guild. National Mall; through July 8, 11 a.m.-5 p.m., free; 202-633-1000, Festival.si.edu. (Smithsonian)

Public Art East of the River Walking Tour Explore the history of Anacostia’s public and street art with Deidra Bell, as she leads a walking tour of neighborhood gems includ-ing Martha Jackson-Jarvis’ river-themed mosaics and Uzikee Nelson’s quirky metal sculptures, left. Smithsonian Anacostia Community Museum, 1901 Fort Place, SE; July 10, 10 a.m., free; 202-633-4820. (Anacostia)

Inside Outside The U.S. has the highest incarceration rate in the world, with more than 5 million Americans in prison. In Washington, the numbers are even more stark: Three out of four young black men will serve time in prison. Artist Gabriela Bulisova, whose work is pictured below, chronicles the experience of the incarcerated through photography. The Gallery at Vivid Solutions, 2208 Martin Luther King Jr. Ave. SE; July 13-Sept. 28, free; 202-365-8392. (Anacostia)

East of the River Exhibit From July 13 through Sept. 8, Honfleur Gallery will host its sixth annual local juried show, a great primer to the neighborhood’s hottest artists — with key pieces that explore the neighborhood’s social, environmental and historical challenges.

Honfleur Gallery

1241 Good Hope Road SE

Washington, DC 20020

July 13-Sept. 8,

free; 202-365-8392.

(Anacostia)

Tags: Honfleur Gallery, LUMEN8Anacostia, Smithsonian Anacostia Community Museum, Smithsonian Folklife Festival, Gabriela Bulisova, Vivid Solutions, Martha Jackson-Jarvis, Deidra Bell, Black Artists of DC, Uzikee Nelson, Atlas Performing Arts Center, Anacostia Community Museum, Festival.si.edu, Martha Jackson Jarvis, BK Adams
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