Successions: Traversing US Colonialism Listed on BmoreArt’s Picks: November 2-8

BmoreArt’s Picks: November 2-8

The best weekly art openings, events, and calls for entry happening in Baltimore and surrounding areas.

This Week:  John Oliver’s hand-picked AVAM exhibition, A Passion for Collecting: The Vision of Louis Allan Ford at Galerie Myrtis, Zoë Charlton in conversation presented by Cade Gallery, Bridget Z. Sullivan at Hamilton Gallery, Jonna McKone/Keep A-Knockin’/Noah Breuer/Solo Lab 5 opening at VisArts, Amber Robles-Gordon at the Katzen Art Center, Katie Pumphrey: Night Swim at Project 1628, The Guardians presented by the Peale at Carroll Mansion, and more … plus Maryland Art Place UNDER $500 2021 and other featured calls for entry.

 

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BmoreArt’s Picks presents the best weekly art openings, events, and performances happening in Baltimore and surrounding areas. For a more comprehensive perspective, check the BmoreArt Calendar page, which includes ongoing exhibits and performances, and is updated on a daily basis. To submit your calendar event, email us at events@bmoreart.com!



Tour of Successions: Traversing US Colonialism, with Amber Robles-Gordon
Saturday, November 6 • 1pm
sponsored by Katzen Arts Center

Successions: Traversing US Colonialism is curated by Larry Ossei-Mensah, and is on view from August 28, 2021 to December 12, 2021, at American University Museum in the Katzen Arts Center.

This solo exhibition featuring the work of Amber Robles-Gordon is a conceptual juxtaposition that celebrates abstraction as an art form while leveraging it as a tool to interrogate past and current US policies within its federal district (Washington, DC) and territories (including Guam, Puerto Rico, and the US Virgin Islands). By highlighting nuances related to US governance in its federal districts and territories, Robles-Gordon seeks to question who has access to resources, citizenship, and the right to sovereignty. Successions is a celebration of abstraction as an artistic expression while creating a pathway towards discursive criticism around issues impacting marginalized communities oppressed by the United States’ hegemonic domestic and foreign policies.



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