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    • Reviews
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  • Retrospective Exhibition / 2026
    • Healing Forward / Retrospective Exhibition / 2026
  • Quilts
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s) / Series / 2025
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
  • Mixed Media on Canvas
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Mixed Media on Wood
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Murals / Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers / Public Artwork / 2015
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • String Sculptures
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
  • Chicken Wire Sculptures / Public Art
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • Serpentine / Public Art Installation / 2014
    • Flight of the Chicken Wire / Public Art Installation / 2010
    • BV Rainbow / Public Art Installation / 2011
    • Wired / Series / 2011
  • Embroidery Hoop / Public Art Installations
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • With Every Fiber of My Being / Public Art Installation / 2019
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • Altars / Site Specific Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • At the Altar / Series / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
  • The Talking Stick Project / Art and Healing in Tandem
    • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Stick Project / Public Art Installation / 2018 *
    • The Talking Stick Project: Art and Justice at NMAAHC 2017
    • The Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017
  • Talking Stick & Branch / Public Art Installations
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • Above All You Must Not Play At God I Installation I 2016
  • Menu

Amber Robles-Gordon

Artist/Advocate/Curator/Lecturer
  • Home
  • About
    • Artist Statement + Bio
    • Contact
    • Exhibits/Events
    • Articles
    • Reviews
    • Art Talks, Video Interviews, & The Miscellaneous
  • Retrospective Exhibition / 2026
    • Healing Forward / Retrospective Exhibition / 2026
  • Quilts
    • Sacred Co-Evolution: Undoing the Enchainment of Being(s) / Series / 2025
    • Revolution is Dawning.. / Installation/ Quilt 2021
    • Successions: Traversing US Colonialism / 2021
    • Remembering Who I am / Series / Mixed Media on Fabric / 2019
  • Mixed Media on Canvas
    • Remnants: a visual journey of memory and renewal / Series / 2023
    • Place of Breath and Birth / Series / 2020
    • The Temples of My Familiars / Series / 2019
    • Third Eye Open, Kepler 19 b, c and Orbits / Installation / 2018
    • Interdimensional Realms / Series / 2017
    • Paint Chips / Series / 2016
    • Awakening the Matrilineal / Installation / 2016
    • The Male and Female / Mixed Media on Canvas / 2015
    • All That I Am / Series / Mixed Media on Canvas / 2012
    • Milked / Series / Mixed Media on Canvas / 2012
    • Milked Man / Series and Installation / 2012
    • Cosmic Black / Series / Mixed Media on Canvas / 2009
    • Heal Thyself / Series / 2006
  • Mixed Media on Wood
    • Casting and Protection Work / Series / 2025
    • Surely, She (he,we) is a little animal / Series / 2023
    • Ancestral Realms, Blossoms and Dominions Within / Series / 2023
    • Let Me Tell You About the Baes and the Bees / Series and Installation / 2017
  • Photography / Videography
    • The Beautiful Collection Installation and Video
    • The Beautiful Collection / Video Art Journaling
    • The Path of Terminator Crossing / Photographic Series / 2019
    • Juxtaposing Whiteness / Photographic Series / 2019
    • Matrices of Transformation / Series / 2007
  • Murals / Works on Paper
    • Third Eye Open / Series / Collage / 2018
    • Nightwalking / Series / Collage / 2017
    • Black Princesses, Princes, Navigators, and Pioneers / Public Artwork / 2015
    • For Ida B. Wells and Coolidge / Public Art Mural / 2019
    • At the Altar Dance of the Serpents / Public Artwork / 2014
  • String Sculptures
    • New Growth / String Sculpture / 2013
    • An Offering of Self / String Sculpture / 2013
  • Chicken Wire Sculptures / Public Art
    • Spectrumatic Beacon / Public Art Installation / 2018
    • My Rainbow Is Enuf / Public Art Installation / 2014
    • Beyond The Visual Rainbow / Public Art Installation / 2013
    • Serpentine / Public Art Installation / 2014
    • Flight of the Chicken Wire / Public Art Installation / 2010
    • BV Rainbow / Public Art Installation / 2011
    • Wired / Series / 2011
  • Embroidery Hoop / Public Art Installations
    • W.E.F.M.B Superpower / Public Art Installation 2022
    • With Every Fiber of My Being / Public Art Installation / 2019
    • With Every Fiber of My Being 2012 | Installation and Public Artwork
  • Altars / Site Specific Public Art Installations
    • In Tribute to Love, Nature and Friendship / Public Art Installation / 2025
    • In tribute to love, nature, and friendship / Public Art Installation / 2024
    • At the Altar / Series / 2015
    • At the Altar Dance of the Serpents / Installation / 2014
    • Hair Shrines: Praise and Be Praised / Public Artwork Installations / 2013
  • Performance: Cultural and Spiritual Explorations (Bomba)
  • Art, Life, and Social Practice / Video Podcast
  • The Talking Stick Project / Art and Healing in Tandem
    • The Talking Stick Project / Creating Art and Healing in Tandem
    • Talking Stick Project / Public Art Installation / 2018 *
    • The Talking Stick Project: Art and Justice at NMAAHC 2017
    • The Talking Stick Project: If You Lived Here DC / Public Artwork Installation / 2017
  • Talking Stick & Branch / Public Art Installations
    • Fertile Grounds: of minds, of wombs and the earth / Public Art Installation / 2019
    • Talking Sticks Project / Public Art Installation / 2018
    • Talking Sticks: If You Lived Here DC / Public Artwork Installation / 2017 *
    • Do Not Attempt to Encapsulate or Control the Rainbow / Public Art Installation / 2021
    • In Loving Memory of A Phenomenal Woman / Installation / 2017
    • Hennie Made Life Come Alive / Installation and Public Artwork / 2015
    • Above All You Must Not Play At God I Installation I 2016

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Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas

June 11, 2026 in exhibit, Event

July 11, 2026 - June 6, 2027

Image Caption: María Magdalena Campos-Pons, “Freedom Trap,” 2013. Polaroid Polacolor Pro. 24 × 20 in. (61.0 × 50.8 cm). Museum purchase from the Jere Abbott Acquisitions Fund, 2024.044

Colby College Museum of Art connects generations across oceans through works by more than 40 contemporary artists in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The physically and visually immersive exhibition brings together approximately 50 paintings, sculptures, videos, prints, photographs and multimedia installations, including several newly commissioned works that create site-specific experiences. The artworks explore the artists’ relationships to the histories and communities of their lands and seas.

Themes of cultural and political self-determination, indigeneity and migration and climate crisis and resilience unite the exhibition. One floor is organized geographically, showcasing each island’s uniqueness, while the other floor is organized by theme—Land, Sea and Sky; Religion and Spirituality; Food; and Military Occupations—offering visitors multiple ways to engage with ideas of history, culture and identity.

Two large-scale, double-sided quilts from the “Successions” series by Afro Puerto Rican artist Amber Robles-Gordon set the tone for the exhibition. One pays homage to the artist’s native Puerto Rico and the other is dedicated to Guam. Together, the quilts introduce the central exhibition theme of solidarity between the islands. The exhibition title is presented in English, Spanish, Filipino and CHamoru and is inspired by the work of CHamoru poet Craig Santos Perez. It represents connections that supersede proximity and are rooted in the shared history and experiences across diasporas.

Commissioned works include projected text by Jerome Reyes, ceramics and textiles by Sara Jimenez, Mariquita “Micki” Davis’ large-scale cyanotype on canvas, Isa Gagarin’s painting on fused plastic and a video by Judith Escalona documenting the 2024 Islands Project Convening that brought several artists together to help shape the exhibition. Camille Hoffman’s site-specific installation will transform a transitional space into an immersive environment. Hoffman will paint directly on the walls and floor and affix found objects throughout the corridor, linking the American art collection in the museum’s Lunder Wing to “Imagining an Archipelago.”

The exhibition’s historical focus begins in the late 19th century. As movements toward independence gained momentum across Cuba, the Philippines and Puerto Rico, the 1898 Treaty of Paris shifted control from Spain to the United States. “Imagining an Archipelago” is the first major exhibition to use contemporary art to examine the impact of extending Manifest Destiny beyond North America, challenging the perception of the US as a purely continental nation and centering islands that were—and, in the cases of Puerto Rico and Guam, still are—under US control. The exhibition opens a window into living history, offering a new and vital lens through which to see connections between the past and a present moment marked by global and domestic events that test the viability of democracy.

Through painting, photography, installation, sculpture, weaving, assemblage and film, the artists convey the layered realities of life shaped by U.S. expansion. Together, the artworks form a vivid archipelago of stories that underscore the enduring impact of these histories on contemporary American life and invite visitors to reconsider how we carry the past and what it means to be American.

Following its debut at Colby Museum, “Imagining an Archipelago” will embark on a national tour, including showings at the Museo de Arte Contemporáneo de Puerto Rico in San Juan, Puerto Rico (fall 2027), a presentation made possible by a generous grant from the Mellon Foundation, the Yerba Buena Center for the Arts in San Francisco (spring/summer 2028) and the Newark Museum of Art in New Jersey (fall 2028).

Support for this exhibition and its national tour is provided by the Andrew W. Mellon Foundation, Teiger Foundation, Terra Foundation for American Art and Andy Warhol Foundation for the Visual Arts.

https://www.archpaper.com/event/imagining-archipelago-art-cuba-guam-philippines-puerto-rico-diasporas/

Tags: The Architect's Newspaper, Amber Robles Gordon, Imagining an Archipelago, Colby College Museum of Art, Successions: Traversing US Colonialism, Museo de Arte Contemporáneo de Puerto Rico, Newark Museum of Art in New Jersey, Yerba Buena Center for the Arts in San Francisco, María Magdalena Campos-Pons, the 1898 Treaty of Paris, Puerto Rico, Cuba, Philippines, Isa Gagarin, Camille Hoffman, Judith Escalona, Mariquita “Micki” Davis, Sara Jimenez, Jerome Reyes, Guam
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