Washington, DC — Seven “flags” hang in Amber Robles-Gordon’s show at the American University Museum: one for each of the five unincorporated United States territories in the Caribbean, one for the District of Columbia, and one to signify the artist’s place in between those locales.
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Museums Review In the galleries: Artist’s works criss-cross the paths of U.S. colonialism
Residents of D.C. are used to seeing the place as an almost-state, much like Maryland or Wyoming, yet not quite. Amber Robles-Gordon, a longtime Washingtonian who was born in Puerto Rico, has a different take. Her American University Museum show, “Successions: Traversing U.S. Colonialism,” groups D.C. with her birthplace and four other inhabited territories: Guam, the U.S. Virgin Islands, American Samoa and the Northern Mariana Islands. She represents these disenfranchised territories on two-sided quilted banners, one face for “political” and the other for “spiritual.”
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American University Museum at the Katzen Arts Center opens fall exhibitions
Successions: Traversing U.S. Colonialism is a solo exhibition by Amber Robles-Gordon, a conceptual juxtaposition celebrating abstraction as an art form. Robles-Gordon interrogates past and current U.S. policies within Washington, D.C. and the territories (Guam, Puerto Rico and the U.S. Virgin Islands) that it controls…
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