exhibit

Successions: Traversing US Colonialism @ American University Museum at the Katzen Arts Center

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Amber Robles-Gordon

Curated by Larry Ossei-Mensah
August 29–December 12, 2021

DC Political, Welcome to the District of Colonialism, Front, Mixed Media on Quilt, 86 (L) in. x 90 (H) in., 2021

DC Political, Welcome to the District of Colonialism, Front, Mixed Media on Quilt, 86 (L) in. x 90 (H) in., 2021

Amber Robles-Gordon presents Successions: Traversing US Colonialism, a solo exhibition on view at the American University Museum at the Katzen Arts Center in fall 2021. Successions is a conceptual juxtaposition that celebrates abstraction as an art form while leveraging it as a tool to interrogate past and current US policies within its federal district (Washington, DC) and territories (including Guam, Puerto Rico, and the US Virgin Islands) that it controls. By highlighting nuances related to US governance in its federal districts and territories, Robles-Gordon seeks to question who has access to resources, citizenship, and the right to sovereignty.

Robles-Gordon creates artwork imbued with a layered visual language replete with cultural signifiers and abstract gestures. Successions is a celebration of abstraction as an artistic expression. Robles-Gordon utilizes iconic artists like Robert Rauschenberg, Alma Thomas, Romare Bearden, and members of the Washington Color School as vivid reference points for her own dynamic use of color, form, and material within the works she created for the exhibition. These explorations will provide insights into a number of inquiries that undergird the construction of the exhibition. Successions creates a pathway towards discursive criticism around issues impacting marginalized communities oppressed by the United States’ hegemonic domestic and foreign policies. The exhibition features a new body of colorful abstract paintings, collages, and quilts created in 2020 and 2021 between San Juan, Puerto Rico (Robles-Gordon’s birthplace) and Washington, DC (where she currently lives).

During the height of the COVID-19 pandemic, Robles-Gordon’s creative strategies were directly impacted as a result of sheltering in place in San Juan. The lack of access to materials and arduous circumstances she was confronted with in Puerto Rico and upon returning to Washington, DC catalyzed Robles-Gordon to improvise her approach to making works for the exhibition. Moreover, the experience heightened her awareness of how communities on the margin are adversely treated during moments of crisis.

y mi bandera vuela mas alto que la tuya, 2020. Mixed media collage on canvas, 18 x 24 in. Courtesy of the artist.

y mi bandera vuela mas alto que la tuya, 2020. Mixed media collage on canvas, 18 x 24 in. Courtesy of the artist.

Robles-Gordon’s also uses works featured in Successions to mine the stories, personal narratives, and aesthetics of the women of the Caribbean, particularly of African descent in an effort to investigate the political, socio-economic, and environmental implications of placemaking, contemporary colonial policy, and notions of citizenship on these social groups. The debate over DC statehood, similar to Puerto Rico, has been a prevalent point of contention in the District but rarely featured in the national conversation. Robles-Gordon seeks to use her “backyard” as a metaphor that would expand our understanding of notions of freedom, liberty, and justice.

Reflexiones sobre el yo, la virgen maría y el colonialismo, (Reflections of Self, The Virgin Mary and Colonialism,) Mixed media, collage on canvas, 18 x 24 in. Courtesy of the artist.

Reflexiones sobre el yo, la virgen maría y el colonialismo, (Reflections of Self, The Virgin Mary and Colonialism,) Mixed media, collage on canvas, 18 x 24 in. Courtesy of the artist.

A fully illustrated catalog with essays by Ossei-Mensah and Noel Anderson and in-person and virtual programs will accompany the exhibition, enriching the viewer’s experience.

Click the link below for additional information and artwork included in the exhibition.

https://www.american.edu/cas/museum/2021/successions.cfm

About the Artist:

Amber Robles-Gordon is a mixed media visual artist of Puerto Rican and West Indian heritage. She is known for her commissioned temporary and permanent public art installations for numerous government agencies, institutions, universities, and art fairs.

Robles-Gordon has over twenty years of experience exhibiting and in art education, commissioned critiques, lectures, teaching, and exhibition coordination. She received a BS in business administration from Trinity University and an MFA in painting from Howard University, Washington, DC. She has exhibited nationally and internationally, including Germany, Italy, Malaysia, England, and Spain. Robles-Gordon has participated in residencies in Costa Rica, Washington, DC, and at the American Academy in Rome, Italy. Her artwork has been reviewed and featured in numerous magazines, journals, newspapers, and online publications.

Most recently, she held an online solo exhibition at Galeria de Arte, Universidad del Sagrado Corazón, San Juan, Puerto Rico, and was featured by Tafeta Gallery in the 1-54 Contemporary African Art Fair in London, England, and during London Art Week. In 2022, she will create a traveling exhibition in collaboration with Cultural DC and El Cuadrado Gris Galeria in Puerto Rico. 

About the Curator:

Larry Ossei-Mensah uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. A Ghanaian-American curator and cultural critic, Ossei-Mensah has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome, featuring artists including Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Modou Dieng, Glenn Kaino, Joiri Minaya and Stanley Whitney. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today, including Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley.

A native of The Bronx, Ossei-Mensah is also the co-founder of ARTNOIR, a 501(c)(3) and global collective of culturalists who design multimodal experiences aimed to engage this generation’s dynamic and diverse creative class. ARTNOIR endeavors to celebrate the artistry and creativity of Black and Brown artists around the world via virtual and in-person experiences. Ossei-Mensah was a contributor to the first-ever Ghanaian Pavilion for the 2019 Venice Biennial with an essay on the work of visual artist Lynette Yiadom-Boakye.

Ossei-Mensah is the former Susanne Feld Hilberry Senior Curator at MOCAD in Detroit and currently serves as Curator-at-Large at Brooklyn Academy of Music (BAM), where he curated the New York Times heralded exhibition Let Free Ring and A Return: Liberation as Power respectively.       

Ossei-Mensah has been profiled in publications including the New York Times, Artsy, and Cultured Magazine, and was recently named to Artnet’s 2020 Innovator List. Follow him on Instagram at @larryosseimensah and Twitter at @youngglobal.

Amber Robles-Gordon discusses her series "The Temples of My Familiars

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Amber Robles-Gordon discusses her series "The Temples of My Familiars


"The Temples of My Familiars" series is about the intersections between my identity, the diverse visual languages in my artwork and the narratives they reference. I chose the title because of the distinct visual reference my sculptural geometric-like renderings took on once I inverted them. They became temples, a place of spiritual practice and sacrifice in which I could place my familiars —my visual languages. A place where they could be re-rooted, re-formulated, and take on a new life.

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Art & Life with Mikhaile Solomon

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Art & Life with Mikhaile Solomon

Today we’d like to introduce you to Mikhaile Solomon.

Mikhaile, please kick things off for us by telling us about yourself and your journey so far.
I was born and raised in Miami, Florida and am of Caribbean heritage. My parents are the from the islands of St. Kitts – Nevis. I graduated of Florida International University’s Graduate program in Architecture and completed my undergraduate degree in Theatre Arts at the University of South Florida. With my varied professional experiences comes many years of developmental work in design, education, arts advocacy and community development.

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The Studio Visit presents Amber Robles-Gordon

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The Studio Visit presents Amber Robles-Gordon

One of my favorite parts about working with The Studio Visit is the opportunity to get to know artists and learn more about their practice on a more personal, intimate level. I like to spend a little time before we begin a story to have a few one on one visits as well reading as much background information as possible.
Amber and I had this opportunity before we met at her studio on a warm overcast day to film a story about her life, work and process.

Amber Robles-Gordon is a multimedia visual artist with a joyful, positive, happy vibe. Her strikingly colorful work is a powerful fusion of ethnicity, identity, gender and cultural and social interests. Her childhood also informs her work which was filled with a wide range of challenges and the loving, nurturing support of her mother.

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MORE or LESS at Hemphill Fine Arts

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MORE or LESS at Hemphill Fine Arts

More or Less: Thoughts on a Comment Made by Walter Hopps

Spring of 1979; only a month after arriving in Washington, Walter Hopps, the revered and now mythical curator, pulled a chair around my desk and sat down beside me. I barely knew Hopps, but I did know enough to see the opportunity in the moment.

So I asked the star curator what he thought was the most important movement in American art. Hopps drew hard on his cigarette, not so much for the need of nicotine, but to give his response the flare of an actor revealing the secret to the plot. His answer: Abstract Expressionism. American art would always tend toward representation, because American art and the American character were bound by a literalness. Therefore Abstract Expressionism would be seen as the most unique and revealing of the American art movements. I cannot say if this was his true belief, or if Hopps was throwing out a response meant to push his inquisitor to think more openly. Nearly 40 years later, the number of artists creating abstract works is not waning.

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Next up!!!! Saturday, April 7, 2018 Panelist at the James A Porter Colloquium, Howard University

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Next up!!!! Saturday, April 7, 2018 2:15-3:15Artist Panel: Materiality and Space at the @jamesa.portercolloquium1990Panelists:@jmaurelle @amberroblesgordon @gregory.coates Panel Moderator:  Margo N. Crawford, Ph.D., Professor of Engli…

Next up!!!! Saturday, April 7, 2018 2:15-3:15

Artist Panel: Materiality and Space at the @jamesa.portercolloquium1990

Panelists:

@jmaurelle @amberroblesgordon @gregory.coates 

Panel Moderator:  Margo N. Crawford, Ph.D., Professor of English, Department of English, University of Pennsylvania #portercolloquium

The Ties that Bind: The church, identity, activism,

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DESCRIPTION

 

Please join the Office of the Dean, the Diversity Committee, and Gallery O on H for an exhibit of art and photography in honor of Black History Month. The exhibit explores the African American experience in the United States through a collection of documentary photography, oil paintings, and artwork that incorporates weaving and textiles to address issues of identity and belonging.

For over seven generations, Johns Hopkins SAIS has produced graduates who have gone on to tackle some of the most pressing policy challenges in the world. As an internationally-focused school, we push our students to find constructive, collaborative, and thoughtful approaches to solving any problem anywhere. And while the study of race in the United States is not a traditional component of the international affairs curriculum, we continue to incorporate it into our programming as the national dialogue on race in the country has intensified and evolved in recent years. It is in this spirit of seeking greater education and social change that we host this exhibit.

The works in this exhibit have been curated by Shamila N. Chaudhary, Senior Advisor to the Dean and Fellow at the Foreign Policy Institute, who has started an initiative on visual arts with policy impact in mind. For more information, contact schaudhary@jhu.edu.

We are proud to host the following artists:


Sheila Crider
Steven Cummings
Katie Dance
Jay Durrah
Amber Robles-Gordon
Nana Gyesie
Miki Jourdan
Chinedu Osuchukwu
Stacey Lewis
Chris Suspect
Lloyd Wolf
Joy Sharon Yi 


About the Artists

Sheila Crider is an independent mid-career artist based in Washington, DC. She is an active member of Washington Project for the Arts and panelist for the DC Commission on the Arts and Humanities.

Steven Cummings is a photographer based in the Bloomingdale neighborhood of Washington, DC who documents the changes and growing development in the city. He received his MFA at Maryland College Institute of Art.

Katie Dance is a documentary photographer and videographer with a passion for visual storytelling from the Washington, D.C. area. She received her Master's Degree in New Media Photojournalism from George Washington University.

Jay Durrah is a self-taught artist from Western PA who has been sketching since the age of nine. He received a B.A. in Political Science from Howard University.

Amber Robles Gordon is a mixed media visual artist who works with found objects and textile to create assemblages, large-scale sculptures and installations. She completed her Masters of Fine Arts from Howard University.

Nana Gyesie specializes in street, documentary, and portrait photography. His work is shaped by inspiration he draws from lived lives, the public space, and The City, in any country.

Miki Jourdan concentrates on street and environmental portraits, working to take candid photos that bring out people’s inner humanity and the joys and obstacles they face. A non-profit librarian, Miki has lived in Washington's Capitol Hill neighborhood since 2001.

Stacey Lewis is a metro D.C. based street photographer who loves the challenge of connecting the viewer to an ordinary, familiar scene with everyday people and helping them see her subject in a different light.

Chinedu Osuchukwu is a Nigerian-American artist who graduated from The Corcoran College of Art. His work has been featured by Oprah Winfrey’s O Magazine, the Bill and Melinda Gates Foundation, and the Watergate Gallery. Osuchkuwu has also been an art teacher in Washington DC area schools for the past 15 years.”

Chris Suspect is a street and documentary photographer hailing from the Washington, D.C. area. He specializes in capturing absurd and profound moments in the quotidian.

Lloyd Wolf is an award-winning photographer and educator whose work has been in over 100 exhibitions and is collected in numerous museums and private collections. He has taught at Shepherd College, George Mason University, and to homeless and immigrant youth.

Joy Sharon Yi is an independent photographer and filmmaker based in Northern Virginia who uses media as a means for examining important social and historic issues. She received her Master’s degree in New Media Photojournalism at GW's Corcoran School of the Arts and Design. 

About Gallery O on H: Collecting art for 35 years led the Gallery owners, Steve and Dolly, to eventually bring their dream and passion for art to life on H St NE. What started as free shows, curated by Dolly and with not a price tag in site, has grown into a practiced philosophy of cultivating local art, artists, and events open to everyone with a passion for art. 

Kenney Auditorium, School of Advanced International Studies (SAIS), Johns Hopkins University

1740 Massachusetts Avenue, NW 

Washington, DC 20036

Photo credit: Chris Suspect