art + justice is a platform for adults to explore the intersection of tactile art-making, thoughtful reflection, and personal enrichment. Through artist-led guided projects audiences unlock their creative potential within themselves, while also enjoying the opportunity to exchange ideas with community towards social justice. art + justice is a hands-on maker space that stimulates creative agency, while providing the mental and emotional space to work through complicated issues around race, gender, identity, and social cohesion.Read More
At the Altar: Fruit of My Love and Labor, represents the process of bringing forth the efforts of my daily thoughts, intentions and actions as best as I can. Then I lay them down at my altar, for myself, for my loved ones, my ancestors and for Spirit. This exhibition is specifically centered on the intersections of creating and using installation art as a form of altar. A personal altar is a dedicated space, designed and erected to celebrate or commemorate something important; an idea, a person, goal or a life intention. These installations are instruments that speak to my personal exploration of loving Spirit, loving myself, my family and specifically my son.Read More
SEPTEMBER 9 - OCTOBER 8, 2017
OPENING RECEPTION: SATURDAY, SEPTEMBER 9, 5 - 8PM
GUERRILLAS IN THE MIDST
THE ART OF UNDOING SPELLS
ANTHONY AKINBOLA, MARY CHANG, FRANCKS FRANCOIS DECEUS, JAMAIL INCE, Read More
JEAN PATRICK ICART-PIERRE, NAVIN NORLING, AMBER ROBLES-GORDON, SOL SAX
This week’s Art Watch is all about an important center for the arts that most of you have never been to. The Delaware Contemporary, or DCCA, is a fascinating art center with ever-changing art installations that is located just 24 minutes from Longwood Gardens, and is free to the public and open every day except Monday.
DCCA has a large parking lot, is easy to get to from I-95 or down Route 52, and offers a safe, light-filled, airy space full of new art to nudge the senses. Such a cool place, and most of us have never been there! Artists often sigh that there are not enough places that show contemporary art (that is, art that shows a new take on what’s going on in the world around us), but sigh no more because we have DCCA.Read More
On this episode of Contemporary Black Canvas, we had the pleasure of interviewing the mixed media visual artist, Amber Robles-Gordon. She primarily works and is known for her use of found objects and textile to create assemblages, large-scale sculptures and installations. Her work is representational of her experiences and the paradoxes within the female experience.Read More
Amber Robles-Gordon’s “When a Honey Is Looking Just Right,”
East of the River
Although it doesn’t attempt to be comprehensive, Honfleur Gallery’s annual “East of the River Exhibition” usually offers a broad survey. This year brings a tighter focus, with only three contributors. Both Sheila Crider and Amber Robles-Gordon work with fabric and found objects. The art of painter Asha Elena Casey is less closely related, but she does inscribe textile-like patterns into thickly applied, mostly black-and-white pigment.Read More
Between the two galleries housed in the Anacostia Arts Center and the Honfleur Gallery on Good Hope Road, there’s no shortage of art that conveys the level of talent that lies East of the River in Wards 7 and 8.
he 11th annual East of the River Exhibition at the Honfleur Gallery features three female artists who have their own distinct styles and inspirations, but the pieces on view have a strong affinity between them and come from similar creative places. Each artist makes an individual statement about spirituality, identity and the repetition of forms and textures, but together they create a continuum.
Asha Elena Casey, Sheila Crider and Amber Robles-Gordon’s work meld together in this annual exhibition as if they were created to be contained in one space. Both Crider and Robles-Gordon work in mixed media, employing the use of fabric, jewelry, photographs and other materials that fold into their works, conveying traditions, personal statements and statements on race and inclusion.
Crider, who received multiple Small Project Grants from the D.C. Commission on the Arts and Humanities, is a familiar fixture in the arts scene in Anacostia, having recently created a public art project at the new St. Elizabeths. Her work at Honfleur stems from a project that she intended to result in quilting. Instead, her “Paducah Residency Project” made use of the quilt batting in a unique way with braided lengths of fabric representing humanity, interconnectedness, binding and chains.
Similarly, Robles-Gordon’s “Let Me Tell You About the Baes and the Bees” series, which usually employs found objects, relates to Crider’s work in the repetition of chains, although Robles-Gordon uses jewelry and strands of pearls to create the same verticality of mixed textures.
Casey, the most junior of the three women, uses the repetition of a central image in “Petra in White” and “Petra in Black,” layering on deep and varied textures around the face of a black woman.
hile the exhibition creates a rhythm that draws on related elements of the three artists’ works, next door at the Anacostia Arts Center’s Blank Space Gallery, the inaugural DC Artist East Exhibition is an eclectic amalgam of different media and approaches by more than a dozen artists who live East of the River, some familiar to exhibits there and around the city, and others who are exhibiting for the first time. The artists included in this exhibit are members of an online community of creators living and working East of the River.
emy Aqui, a photographer who has lived in Anacostia for the past four years, is showing his enhanced photography for the first time at the center. He joins more familiar names such as photographers Jonathan French and Bruce McNeil and mixed media artists Jay Coleman and Malik Lloyd in this expansive show, which takes up every bit of wall space in the broad, light-filled lobby and hallways.
fter fellow artists encouraged him to show his work, Aqui entered two of his photographs into the exhibit which were selected by Anacostia Arts Center’s creative director.
ne of his photos, “Townhouse in NW,” shows a very different view of what might normally be an everyday part of Washington’s landscape. The multi-textured house has a large banana tree in the front, and, according to Aqui, is reminiscent of a tradition in his former home of San Francisco, “where a new homeowner is accepted into their neighborhood by having a tree presented to the new neighbor as a welcoming gesture.”
”I attempt to turn photos of mine into colorful imagery of work [such as old postcards] depicting a fading neighborhood landscape,” he said, describing the surreal façade of the house’s bright, tropical colors.
third exhibit by photographer Vincent Brown looks at the plight of the homeless in D.C., taken with his iPhone, titled “City Under Siege” in the Vivid Solutions Gallery. Although he had intended his work to be focused on other aspects of life in Washington, Brown was taken aback at the prevalence of homeless people on the streets, which then demanded his focus.
art of the annual art exhibits at this stretch of Good Hope Road also includes the bestowing of the annual East of the River Distinguished Artist Award. In 2012, the East of the River Distinguished Artist Award was created to celebrate the exemplary caliber of artists from Ward 7 and 8. This year, the award went to James Terrell for his brightly colored abstract paintings included in the exhibit in the Blank Space Gallery.
is acrylic painting “Kind of Blue” was inspired by jazz trumpeter Miles Davis and the song it is named for. The East of the River Artist Award provides prize money for the artist to use to further their creative career.
ll three exhibitions are on display until Aug. 5 at the Honfleur Gallery at 1241 Good Hope Road SE and the Anacostia Arts Center at 1231 Good Hope Road SE.
For more information, visit www.archdc.org or call 202-631-6291.
BV Rainbow, By Amber Robles-Gordon
This exhibition, curated by Kayleigh Bryant-Greenwell, engages with a legacy of black art spanning over 50 years through nine exciting contemporary visionaries. This collective body of work reflects on the black experience as artists and as Americans. Artists Holly Bass, Allana Clarke, Wesley Clark, Billy Colbert, Larry Cook, Jamea Richmond Edwards, Amber Robles-Gordon, Stanley Squirewell and Stephanie Williams create their work using a variety of media, style and technique.Read More
In many cultures, the talking stick is a symbol of democracy, a sacred object that ensures all voices will be heard. Join artist and Anacostia resident Amber Robles-Gordon in a hands-on creative workshop. Using Robles-Gordon's signature multi-colored textile strips, participants will fashion unique talking sticks that represent a personal memory or pressing issue on the theme of “home.” A guided conversation will provide participants an opportunity to put their talking sticks to use, sharing inspirations and reflections on what it means to call DC home in this particular moment, and the transformative act of art making. Appropriate for ages 12 and up. Refreshments will be providedRead More
An homage to a house
If YOU Lived Here seeks to commemorate the founding of this community, and also to reflect on how we live today. Visitors will draw parallels between the past and the present through a series of interactive, tactile, and creative activities.Read More
The Mosaic Project: The significance of art in the lives of our youth cannot be underestimated. Yet, just when research is finally emerging that supports this, budget cuts and curricular demands are threatening the foundation of creativity in our public schools. In order to fill that gap as well as enrich the community, Pennsylvania College of Art & Design developed The Mosaic Project, a multicultural exhibition and education program for students and families in Lancaster County.Read More
Exhibition: June 16 – August 5, 2017
Opening Reception: June 17, 2 – 5 pm
Panel Discussion: July 13, 6 – 9 pm
The East of the River Exhibition returns to the Honfleur Gallery for the 11th year! This annual show continues to provide a platform for visual artist emerging from Wards 7 and 8. This year Asha Elana Casey, Sheila Crider and Amber Robles-Gordon will present their all new mixed-media works that explore spirituality, identity, and repetition.Read More
Features artists Colby Caldwell, Hasan Elahi, Margo Elsayd, Eve Hennessa, Peter Garfield, Amber Robles-Gordon, Rachel Schmidt, Noelle Tan, and Curtis Woody.
Official Reception with curator Jayme McLellan: Third Friday, July 21, 5-7pm
Third Friday Reception, June 16, 5-7pmRead More
The first exhibition, Transitional Objects, runs through July 16, features local artists, (RSVP for the April 28 opening reception here), and is curated by Amy Hughes Braden (also one of the featured artists) and Sarah Buie. We went earlier this week for a special sneak peek, and also to find out from the curators a bit more about the first lululemon Loft exhibition, and how fitness and art can be intertwined.Read More
A view of the exhibitionÂ "i found god in myself," with works inspired by the choreopoems of Ntozake Shange's play "For Colored Girls Who Have Considered Suicide/ When the Rainbow is Enuf." The show is on view at the Houston Museum of African American Culture through April 15.Read More
McDaniel hosts a visiting artist lecture by mixed-media artist Amber Robles-Gordon. Known for her use of found objects and textile to create assemblages, large-scale sculptures and installations, her work is representational of her experiences and the paradoxes within the female experience.Read More
Morton Fine Art is thrilled to introduce artist AMBER ROBLES GORDON to our roster.
"My artwork is a visual representation of my hybridism: a fusion of my gender, ethnicity, cultural, and social experiences. I impose colors, imagery, and materials that evoke femininity and tranquility with the intent of transcending or balancing a specific form. I associate working with light, color, and energy as a positive means to focus on the healing power found in the creative process and within us all. It is my belief that colors have both feminine and masculine energies and each color represents a specific aspect of nature."Read More
by Cara Ober, BmoreArt.com
BmoreArt: Before settling in Washington, DC, you lived all over the world. Can you talk about how your family and upbringing has impacted your life as an artist?
My family is from the Caribbean – primarily from St. Thomas, US Virgin Islands, Puerto Rico, and Antigua, West Indies. I was born in Puerto Rico, raised in Arlington, Virginia, and have lived in Washington, DC for the last 20 years.Read More
Sofiya Ballin, http://www.philly.com
The African American Museum in Philadelphia is giving us another chance to see the i found god in myself: the 40th anniversary of Ntozake Shange for colored girls exhibit. But this is your last chance to go see it. And you should definitely go.
The show celebrates the 40th anniversary of Ntozake Shange’s award-winning for colored girls who have considered suicide / when the rainbow is enuf, the landmark poem and play featuring women of color, represented by various hues, reciting monologues that touch on race, gender, sexuality, and love.Read More